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Oscar Shortlist Predictions and Preview: ‘Sinners’ Projected to Dominate Followed by...
The Academy of Motion Picture Arts and Sciences will announce its highly anticipated shortlists on Tuesday, narrowing hundreds of eligible films across a dozen categories ahead of the 98th Academy Awards in March, and becoming the first firm indication of where voters’ mindsets currently...
Musique
‘Sore: Wife from the Future’ Review: A Fantastical Time-Traveling Romance That Never...
“Sore: Wife from the Future” asks much of its audience. From believing in time travel to imagining outlandish fantasy scenarios, Indonesia’s Oscar entry relies on the suspension of disbelief. Many films have managed to convert their audience to a unique story construct. Here,...
Musique
‘Black Rabbit, White Rabbit’ Review: Disqualified for the Oscars, Tajikistan Drama Is...
Selected by Tajikistan but ultimately not accepted by the Academy to compete in the Oscar international feature category, “Black Rabbit, White Rabbit” begins ambitiously, with a famous quote from playwright Anton Chekhov about setups and payoffs — about how if a gun is...
Musique
‘Taghiyev: Oil’ Review: Azerbaijan’s Oscar Hopeful is the First Act of a Larger...
Zaur Gasimli’s “Taghiyev: Oil” is the first film in a potential tetralogy, so it should come as no surprise that it plays like an extended first act. Azerbaijan’s 2026 Oscar entry, about philanthropist, oil magnate and “father of the nation” Zeynalabdin...
Musique
‘Europe’s New Faces’ Review: An Intimate if Scattered Portrait of Displacement...
“Europe’s New Faces” presents an experience that headlines have termed the “European migrant crisis” in a novel way. Unlike other films on the subject, the documentary offers no narrative threads to follow, no protagonists whose voice and POV carry the story. What...
Musique
‘Dust Bunny’ Review: Mads Mikkelsen Is a Reluctant Hero in Morbidly Fantastical...
Terrified of a seemingly imaginary creature under her bed, yet unfazed when street rats crawl around her while she hides under a dumpster, young Aurora (Sophie Sloan) has learned to be precociously independent. In writer-director Bryan Fuller’s morbidly fantastical shoot-’em-up...
Musique
‘Troll 2’ review: Mythological Monsters Return in a Slick If Unsurprising Sequel to...
After putting a neat Norwegian spin on slasher horror (“Cold Prey”) and 1970s-style disaster thriller (“The Wave”), Roar Uthaug turned to the rampaging-giant-monster genre with “Troll,” and was no doubt as surprised as everyone else when that swiftly became...
Cinéma
‘Silent Night, Deadly Night’ Review: Slay Bells Ring Anew for an Under-the-Radar...
The ranks of Christmas-themed horror movies swell further every year, digested with relish by genre fans and cheerfully ignored by everyone else. But in 1984, a menace to Yuletide morality yea more dire than Starbucks holiday cups stirred vociferous objections. Charles E. Sellier Jr.’s...
Star & People
One Aldwych Hotel Review: This Covent Garden Hotel Is The Perfect Five-Star Hideaway
One Aldwych delivers, from homemade honey to picture-perfect room service.
Musique
Paramount+ Thriller ‘Little Disasters’ Hooks Us With Diane Kruger’s Antivaxxer...
It can be disorienting to watch the Paramount+ limited series “Little Disasters” so soon after the surprise breakout success of Peacock’s “All Her Fault,” because the two shows share so many story beats and influences. (Though technically, “Little...